Crazy credits There is a scene in the closing credits: Simmons and Mearing kiss, and then she demands his arrest. Connections Edited from The Island User reviews Review. Top review. Clever script blended with spectacular special effects I was highly disappointed with Revenge of The Fallen and I thought the script for Dark Of The Moon would be similar to the other films of the franchise.
But surprisingly, it was fresh. Ehren Kruger cleverly used the Apollo 11 event to create a Decepticon world invasion storyline with few interesting twists Although I was amazed with the explosive action and brilliant special effects used in the film, the film itself lacks a lot of things The humour was still silly like Revenge Of The Fallen. However, she was certainly better than Fox. There was pointless scenes around the last half of the film that made it a really long, boring film.
Also, Michael Bay tried hard making the slow motion action scenes very 3D and realistic which was a bit irritating and ruins the film. The main antagonists haven't performed well enough to create an epic ending to the franchise In another point of view, however, this film was fairly enjoyable and the script was written very well.
The soundtrack used was fresh and bends well with the film. There was some scenes that just blew me away and the CGI special effects definitely deserves an Oscar nomination. Overall, Michael Bay definitely improved this film compared to Revenge Of The Fallen by creating really amazing CGI effects and a really interesting script, but it wasn't enough to deliver a spectacular ending to the franchise FAQ Is "Transformers: Dark of the Moon" based on a book?
What are Transformers? How many Transformer movies currently are in the Michael Bay franchise? Details Edit. Release date June 29, United States. United States. Official Facebook Paramount United States. Transformers 3. Milwaukee, Wisconsin, USA. Paramount Pictures DreamWorks Hasbro. Box office Edit. Technical specs Edit. The woman screams. Crime scene photographs flashed on the screen indicate that the transformer robots murdered many people.
One image shows the legs of a dead man with blood on the ground. A bird-like transformer pushes a man through a glass window. A photocopier transforms into a robot bird and attacks Sam. It fires laser beams and chases Sam through a building. When stopped at an army barrier, Sam screams loudly in anger and then drives his car towards the barrier.
Sam is dragged out of the car by a soldier, and they have a scuffle. In a bar scene, a woman points a shotgun at a man, who disarms the woman by hitting her in the head with the gun and breaking her arm we hear the sound of bones snapping. Then he throws the woman over his shoulder. After a head-on collision, three transformers end up with bloody and gory wounds. A transformer throws a large spiked sword at a second transformer.
The sword causes a bloody wound. A teleportation device is activated and dozens of transformers come through a gateway. People scream as they run away from the transformers. The transformers open fire on the civilians and smash into cars and trucks. A car changes into a transformer, trapping Carly inside. Two men hold Sam prisoner. The image is very detailed and graphic. The transformer morphs into a wristwatch. When transporters invade Chicago, they leave the city in ruins. When people are hit by transformer weapons, they seem to disintegrate.
Their bones and skulls are left rolling on the ground. Terrified children run for their lives through the city ruins, and people are covered in ash. A subway train is thrown off its tracks. Later we see the train wreckage filled with the limp bodies of men and women.
Sam, Carly and several soldiers are in a high-rise building that is attacked by a gigantic transformer with multiple tentacles. It tears the building in half. Sam and the others slide out of control through a window and then down the outside of the building to drop back inside. Optimus Prime fires missiles at a large worm-like transporter. Blood-like fire spews from its mouth as it dies.
Sam fires a grappling hook into the eye of a transformer and is lifted into the air and whipped around. She and Sam kiss in bed and several other times. Her entire purpose is to be attractive and have others make comments about her "hotness.
In one scene, a sexily dressed Latina character is referred to as a "hoochie mama," and her anger is called a "Latin meltdown. Surprisingly frequent use of the following words: "a--hole," "bitch," "s--t," "hell," "damn," "crap," "ass," "d--khead," and "oh my God. Not only is the entire series based on Hasbro toys, but there's also an extremely high number of product placements: from cars General Motors, Mercedes, Corvette, and more to electronics Apple computers, iPad, Lenovo desktops to water Arrowhead and apparel Adidas, Nike, etc.
Parents need to know that Transformers: Dark of the Moon is third installment in the blockbuster Transformers franchise. It's less crude than the first sequel but more violent than the original.
Tween and teen boys in particular will be interested in seeing this movie, but even younger kids who are familiar with the Hasbro toys may be curious about yet another live-action adaptation. Like all of director Michael Bay 's films, there's a constant threat to all the characters -- in fact, humanity in general -- and an accompanying body count to match that sense of peril. Some robot deaths are particularly startling.
Language is edgy, with frequent uses of "a--hole," "bitch," and "s--t" and two variations on the F-bomb. This is a dream movie for car, weapon, and military aficionados, but not so much for young girls, since the only three women in the film are stereotypes -— the young blond "hottie," the tough older careerist, and the wisecracking middle-aged mom.
Add your rating See all 52 parent reviews. Add your rating See all kid reviews. After mysterious Autobot technology is found in Chernobyl, Optimus Prime voiced by Peter Cullen leads a mission to the dark side of the moon, where he discovers his predecessor, Sentinel Prime Leonard Nimoy. Once they've returned to Earth, Optimus revives Sentinel, who's the only Transformer capable of launching a teleportation system he created.
Optimus assures the head of national intelligence Frances McDormand that Sentinel is trustworthy, but it turns out he's actually aligned with Megatron Hugo Weaving and the Decepticons, who plan to use the teleportation bridge to rebuild Cybertron on Earth. It's not likely to be the movie of the summer like the original in , but if you've got a teen boy, it's going to be a must-see nonetheless.
The target audience for Transformers: Dark of the Moon probably doesn't care whether it's good or not; they just want their fix of Michael Bay's signature explosions, metal-on-metal battles, and scantily clad damsels in distress. More discerning audiences, however, will be slightly reassured that this installment is better than the awful Revenge of the Fallen ; for one, there's less offensive material although there are still some squicky lines, like when Mrs.
Witwicky muses whether her son's got some hidden "skills" that are responsible for him landing two such "world-class hotties" as girlfriends , and secondly, you might not want to leave 20 minutes into the movie. But just because this "threequel" is mediocre rather than horrible doesn't make it worth two-and-a-half hours of an audience's time. It's laughable when will screenwriters realize that a woman can't run for her life in stilettos? The best part is seeing McDormand and pal John Turturro joke with each other on what was probably the easiest acting job of their careers.
Of course, young boys will get a kick out of the Transformer battles, the space-race history lesson, and living vicariously through Sam whom every male -- human or Transformer -- calls "lucky" for having the babelicious girl on his arm.
Families can talk about Transformers: Dark of the Moon 's nonstop violence. How does the filmmaker differentiate between Transformer-on-Transformer violence and violence against humans? Do you think the director gets away with depicting more violence because Transformers aren't people? Although there's less stereotyping here than in the previous movie in the series, what are some instances in which characters of a particular gender, ethnic, or racial group are depicted in a stereotypical manner?
Despite the number of attractive male characters, why does the movie focus so much more on the leading actress' body? What message does that send audiences? Nearly every scene features a product placement ; is this realistic because people do use particular brands or is it distracting? Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
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